Video Art and New Media
"Project Europe, Imagining the (Im)possible" at the Samuel P. Harn Museum of Art, Gainesville, Florida, in Camera Austria 110 (2010), pp. 62-63.
"Bill Viola" at the Guggenheim Museum Soho in Camera Austria 57/58 (1997), p. 99.
"Mediascape" at the Guggenheim Museum in Soho, New York in Sculpture 15, no. 10 (December 1996), pp. 55-56.
"The Dead Souls: An Interactive virtual reality installation" at Postmasters Gallery in New York in Camera Austria 55 (1996), pp. 70-71.
"Video Spaces: Eight Installations" at The Museum of Modern Art in New York in Camera Austria 53 (1995), pp. 91-93.
"Video Spaces: Eight Installations" at The Museum of Modern Art in New York City in Art Papers 19, no. 6 (November/December 1995), pp. 52-53.
"Luc Courchesne" at the Museum of Modern Art in New York in Art Papers 19, no. 1 (January/February 1995), pp. 60-61.
"Gary Hill" at the Hirshhorn Museum in Washington, D.C. in Camera Austria no. 49 (December 1994), pp. 79-80.
"Gary Hill" at the Hirshhorn Museum in Washington, D.C. in Art Papers 18, no. 5 (September/October 1994), pp. 45-46.
"Virtual Reality Dominates SIGGRAPH" in Art Papers 18, no. 6 (November/December 1994), p. 58.
"Heidi Kumao: Tied" at the Washington Project for the Arts in Art Papers 18, no. 3 (May/June 1994), p. 50.
"Video Installations: Shigeko Kubota, Marcel Odenbach, Matthew Barney, Pierrick Sorin, Bruce Nauman" at the Barbara Gladstone Gallery in New York in Art Papers 18, no. 3 (May/June 1994), p. 61.
"Tomorrow's Palette" Art & Technology in Art in America 82, no. 4 (April 1994), pp. 36-41.
"Review of Montage 93" in Camera Austria no. 45 (December 1993), pp. 65-66.
"Montage 93: International Festival of the Image" in Rochester, New York in Art Papers 17, no. 6 (November/December 1993), pp. 56-57.
"Interview: John Hanhardt" in Art Papers 17, no. 4 (July/August 1993), pp. 21-24.
"Transparence/Transcendence" Samuel P. Harn Museum of Art, Gainesville, Florida in Art Papers 17, no. 3 (May/June 1993), pp. 45-46.
"Through the Looking Glass: Artists' First Encounters with Virtual Reality" at the Jack Tilton Gallery in New York in Art Papers 16, no. 6 (November/December 1992), pp. 52-53.
"The Biennial of Contemporary French Art: The Love of Art" in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).
"Interactivity: From Sound to Motion to Narrative" in Art Papers 15, no. 5 (September/October 1991), pp. 7-11.
"Interactivity in the Electronic Age" in Sculpture 10, no. 3 (May/June 1991), pp. 36-43.
"International Festival of Group Art" Marseilles, France in Art Papers 14, no. 4 (July/August 1990), pp. 72-73.
"1989 Whitechapel Open" at Whitechapel Gallery, London, United Kingdom in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.
"Video installation by Suzanne Giroux" at the University Gallery, Gainesville, Florida in Art Papers 14, no. 2 (March/April 1990), pp. 41-42.
"Tech Ref" on video production for artists in Sculpture 8, no. 4 (July/August 1989), p. 43.
"Artist Videos: A Status Report" in Sculpture 8, no. 1 (January/February 1989), pp. 86-90.